DEHUMANIZACJA SZTUKI I INNE ESEJE PDF

This, in our opinion, was the approach of both Gadamer and Ortega y Gasset. Contact with new art has become special time, but also time that the viewer spends on his own. The symbolic nature of art means that the process of its interpretation is infinite and inexhaustible. There is no place here for the acquisition of knowledge, only for a never-ending sztuku of dialogue. Student knows what is the relationship between humanities and culture Student discusses some problems in the field of contemporary aesthetics Student lists and describes the characteristics of contemporary art and its role in social communication.

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This, in our opinion, was the approach of both Gadamer and Ortega y Gasset. Contact with new art has become special time, but also time that the viewer spends on his own. The symbolic nature of art means that the process of its interpretation is infinite and inexhaustible.

There is no place here for the acquisition of knowledge, only for a never-ending sztuku of dialogue. Student knows what is the relationship between humanities and culture Student discusses some problems in the field of contemporary aesthetics Student lists and describes the characteristics of contemporary art and its role in social communication.

Ortega y Gasset sees zstuki art a form of entertainment for the elite, operating, as it were, on the edge of everyday human activities. Becoming acquainted with the rules of the game of the new art was, for Ortega y Gasset, essential. Gadamer, Prawda i dehumanizacua. For Ortega y Gasset, art was one of the most significant sociocreative factors: Contemporary art was supposed to create new entities, aesthetic objects that lived in the objective space of the artistic world, which differed from physical and psychological reality.

In rising above human reality, moving away from the realism and naturalism of representations, 18 Ibid. Ortega y Gasset, who was one of the heralds of a catastrophic vision of the future of the human world in its previous form, nevertheless did not surrender to utterly defeatist thinking. Gadamer, Prawda i metoda…, op. Metaphor and the concept of taboo are closely linked: Through it, we can expand human consciousness and develop 22 Ibid.

Cichowicz introductionWarsaw It seems lnne the process of dehumanisation did not deprive art of all sense. Thus, hermeneutics encompasses szruki. The end of traditional art irrevocably closed a certain chapter in the history of human artistic activity, but it also opened completely new horizons. However, the experience of art is also distinguished by hermeneutics in terms of the exceptional language of communication and the exemplary manner of manifesting the truth in artistic creations.

The cognitive value of the new art was based on meanings that were no longer simply a way to recognise a work based on the similarity of its content to reality, as was the case in traditional art. Contemporary aspects of the eeseje of education through art. What is more, aesthetics is not a separate field of knowledge, but is incorporated in the sphere of hermeneutics. An outline of philosophical hermeneutics], B. Contemporary art is no longer a continuation of the tradition.

It is thus connected with the disappearance of the obviousness of communication and of methods for the manifestation of truth in works of art. The festival concept also emphasises, above all, the exceptional possibilities of the integration of art: This slogan was one of the manifestations of the crisis of twentieth-century European culture proclaimed by Ortega y Gasset. This flight was a departure from the traditional imitation of reality, in order to create new forms that, as Ortega y Gasset would say, were as dissimilar as possible to the fragments of human reality: Gadamer, Estetyka i hermeneutyka [Aesthetics and hermeneutics] in: The third element of the definition proposed by Gadamer, festival, encompasses and expresses all of the above- mentioned elements of the experience of art.

Contemporary artists broke away from the art of the past because a new type of viewer had appeared. Folia Scandinavica Posnaniensia Skip to main content. The dehumanzacja opposition to traditional popular art was a deliberate process, achieved through an intentional break with the rules of communication between the artist and the viewer previously in force, the rejection of past canons of art and a departure from realist and naturalist presentation.

Contemporary aesthetic — selected issues The role of art in social communication Dilemmas of contemporary art: Festival of Art or Crisis of Art? A game deeply engages its participants, and thus changes their sztuji of the world; the colloquial perception of reality is, in the experience of art, suspended. Gadamer, Hans-Georg, Koniec sztuki? TOP Related Posts.

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DEHUMANIZACJA SZTUKI I INNE ESEJE PDF

Gazragore Art turns out to dehumanizaca a mysterious game of revealing and concealing meanings. We believe that comparison and analysis of these partly congruent, partly conflicting proposals may prove to be of cognitive value and to provide useful tools for the further study of contemporary art. The meaning dehymanizacja a work may be revealed if an effort is made to discover it. It is thus connected with the disappearance of the obviousness of communication and of methods for the manifestation of truth in works of art. It also indicates the specific temporality of the experience of art: The festival concept also emphasises, above all, the exceptional possibilities of the integration of art: Festival of Art or Crisis of Art? Programmatically, it assumes a departure from sztukki dead canons of the past and the elevation of man above his human dimension, detaching him from reality by means of its conscious deformation. Gadamer, Hans-Georg, Sztukii sztuki?

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Dehumanizacja sztuki i inne eseje

Dagore Ortega y Gasset remains an intellectual elitist and stresses that this enriching experience of art is available only to a few. Works of art connect people with one another and bind them in a common dialogue. Thus, hermeneutics encompasses aesthetics. Gadamer, Estetyka i hermeneutyka, edeje.

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